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Hardback. Oblong 8vo. A very good copy. A clean copy without foxing or ownership inscription. 79 pages. 40 illustrations including colour. This is number six in the "Modern Scottish Painters" series.
Published : Edinburgh University Press 1976, First Edition
4to. A very good copy in a good, practically complete, dustwrapper which is a little worn and torn at the edges. Pp114 + 68 plates. colour frontispiece. An authoritative handbook on miniature painting.
Published : Sir Isaac Pitman & Sons Ltd., London 1951, First Edition
A very good copy. A clean copy with no internal markings. 111 pages. Numerous colour illustrations throughout. This is the catalogue for an exhibition at the Scottish National Gallery, Edinburgh.
Published : Trustees of the National Galleries of Scotland, Edinburgh 2011, First Edition
Hardback. A very good copy in the original reddish-brown boards which are lettered in gilt. Small book-plate. Not foxed. Pp.xi,,244. 12 photographic illustrations + tailpieces. A study of the life and work of an early 19th century English sculptor.
Published : George Routledge and Sons, London 1866, First Edition
Hardback. 4to. A very good copy in a very good dustwrapper. Bookplate of David McClintock, the noted botanist. Caroline May was an artist who painted a magnificent flora of the wild flowers of Britain. This book comprises an Introduction by Richard Mabey, A biographical sketch of May by her descendant, the Rev. John Tyler and a selection of nearly 90 of her paintings in colour. Loosely inserted is correspondence relating to the book.
Published : Collins & Brown, London 1990, First Edition
Hardback. A fine copy in a fine dustwrapper which is not price-clipped and which is now protected in a clear, removable sleeve. Pp.xxii,217. 178 illustrations. The first book to be written on Scottish country houses of the 17th and 18th centuries and their architects and "the first integrated history of country house architecture."
Published : Faber & Faber, London 1987, First Edition
Hardback. A good copy in blue cloth which shows some fading to the front board. Ownership inscription on front free end-paper. Pp.xiii,164 + 28pp advertisements. 52 illustrations. 17 folding plans
Published : William Hodge & Co, Edinburgh 1916,
4to. A fine copy in a fine dustwrapper. Signed by the author. 192 pages. 152 illustrations including many colour photographs by Antonia Reeve.
Published : Lund Humphries, Farnham 2014, First Edition
Hardback. A fine copy in a near fine dustwrapper. 432 pages. 347 plates including many in colour. A standard and highly regarded work on Scottish art.
Published : Mainstream Publishing, Edinburgh 1990, First Edition
Hardback. 4to. A fine copy in a near fine dustwrapper which is a little sunned on the spine. 208 pages. Frontispiece and 211 plates mostly in colour. The story of modern Scottish painting and sculpture. This updated edition appears to be les common than the first edition.
Published : Mainstream Publishing, Edinburgh 2001,
A good plus copy in decorated dark blue cloth. A little wear at spine ends. Top edge gilt. Ownership inscription. 223 pages. 107 illustrations. This is a collection of essays written over a period of more than thirty years.
Published : T. Fisher Unwin, London 1913, First Edition
4to. A fine copy in a near fine dustwrapper. All edges gilt. Pp.xxi,244. Full colour illustrations of the collection. Many of the paintings in the collection date from the early 18th century and most are of surgeons. Biographical notes are included. A handsome book.
Published : The Royal College Of Surgeons of Edinburgh 1995, First Edition
Hardback. Lacks front end-paper but otherwise a very good copy in a very good dustwrapper which is complete and untorn. Bookshop labels on inner front flap of wrapper and front fixed end-paper. Internally clean without foxing or ownership inscription. 192 pages. 14 colour illustrations. 64 black and white illustrations. A biography of the late 18th century neo-classical artist.
Published : Colin Smythe Ltd., Gerrards Cross 1972, First Edition
A very good copy in blue cloth with decorated upper board. Ownership inscription on front fixed end-paper. Some edge foxing. Pp.ix,310. 267 engravings. A treatise on decorative or ornamental art.
Published : J.S. Virtue & Co, London 1889, First Edition
Hardback. 4to. A very good copy. Some fading to spine ends and some darkening at head of upper board. In a rather poor dustwrapper which is chipped to the spine ends and with chips and tears elsewhere. The wrapper is now protected in a clear, removable, sleeve. Some light end-paper foxing but no ownership inscription or other internal marking. Pp.xii,236. 40 plates. A biography of the late 19th/early 20th century sculptor.
Published : A & C Black, London 1929, First Edition
Hardback. Large 4to. A fine copy in a fine dustwrapper. 146 pages. Numerous colour illustrations of paintings. Photographs by Linda McCartney. Includes a collection of essays on McCartney together with an interview with him.
Published : Little, Brown and Company 2000, First Edition
Hardback. 4to. A very good copy in a very good dustwrapper. A clean copy without foxing or ownership inscription. 228 pages. 116 colour plates. 61 black and white plates. Described as "the first complete study of the renaissance of the visual arts in Ireland.
Published : Antique Collectors' Club, London 1990, First Edition
4to. A fine copy in a near-fine dustwrapper which is now protected. 112pp. The book consists of prints, some in colour, by McCulloch accompanied by 8 descriptive poems by Alasdair Gray.
Published : Argyll Publishing 1998, First Edition
Softback. A very good copy. Pp.viii,160. Many illustrations and diagrams. Traces the development of the fireplace and gives specific practical advice on the restoration of chimney stacks and fireplaces.
Published : The Architectural Press, London 1984, First Edition
A very good copy in light brown cloth lettered and decorated in gilt. Top edge gilt. Pp.xii,369. Profusely illustrated.
Published : Duckworth, London 1911,
Hardback. A near fine copy in a near fine dustwrapper which is not price-clipped and which is now protected in a clear, removable sleeve. A clean copy without ownership inscription, foxing or other internal marking. Pp.xviii,158. Numerous illustrations. The story of a talented Scottish family of Victorian artists. Includes a bibliography, a catalogue of major Faed works and a list of Faed pictures in permanent collections.
Published : Canongate, Edinburgh 1982, First Edition
Hardback. A very good copy in a very good dustwrapper. Signed by the author on the title page. Previous owner's inscription on half-title. Pp.xviii,158. Numerous illustrations. The story of a talented Scottish family of Victorian artists. Includes a bibliography, a catalogue of major Faed works and a list of Faed pictures in permanent collections.
Published : Canongate, Edinburgh 1982, First Edition
Oblong 4to. A very good copy. Cover a little creased. Red ink mark at top right-hand corner of title page. Limited edition. This is no. 23 of 100 copies and is signed by the artist. Introduction by Gerard Sendrey. Note about the drawings by the artist. 48 full-page drawings. Very detailed and striking drawings, mostly indian ink on paper. Described in the Introduction as "strong and original work."
Published : Bumblebee Press, Edinburgh 1998, First Edition
Hardback. A near very good copy in a near very good dustwrapper. Superficial damp-staining at foot of rear board. Two ownership inscriptions on front end-paper. Pp.xi,214. Frontispiece and 24 plates. The first serious architectural history of a London livery company.
Published : Phillimore, London 1977, First Edition
Hardback. A near very good two volume set in dark blue cloth lettered in gilt. Gilt decoration to front board and spine. Top edge gilt. Bookplate in each volume. Some foxing to end-papers. Volume I is the second edirion of 1900. Volume II is the first edition of 1899. Volume I,pp.xvi,446. Volume II,pp.xi,511. Numerous illustrations. There is interesting ink writing on the front end-paper of Volume I including a reproduction of Millais' last note to Sir George Reid, under which is written in ink "This letter I saw pasted in the back of a photograph of Sir John Millais in Sir G. Reid's house. The hand writing was shaky, the writing of a man very ill".
Published : Methuen, London 1900,
4to. A very good copy in red cloth lettered and decorated in gilt. Gilt logo of Fettes College on upper board and prize label from Fettes on front paste-down. Top edge gilt. Pp.xxi,267. Many illustrations. Chapters on Watts, Millais, Stretton, Burne-Jones, Orchardson, Alma-Tadema and Poynter.
Published : William Heinemann, London 1899, First Edition
4to. A fine copy in a fine dustwrapper. A nice clean copy without ownership inscription or other internal marking. 224 pages. 180 photographic illustrations by Jane Lidz of which 130 are in colour. The first systematic study of water as an architectural resource.
Published : Thames & Hudson, London 1994, First Edition
Hardback. 4to. A very good copy in publisher's turquoise cloth with title in red on spine. Minor bumping to lower board tips. Red endpapers. Gift inscription on front endpaper SIGNED by author. Profusely illustrated in colour and with many black and white photographs of Noel Coward. 80 pages. Very good illustrated dustwrapper, which is not price-clipped and which is protected in a removable cover.
Published : Phaidon-Christie's Ltd, Oxford 1988, First Edition
4to. A very good copy. Paperback. Inscribed presentation copy from the author. Pp.xiv,306. Numerous illustrations including colour. A biography of the artists, Ronald and Fanny McIan, the former of whom became famous for his depictions of Highland dress.
Published : The Book Guild 2001, First Edition
Softback. A fine copy. Inscribed presentation copy from the editor. Pp.xxiii,182. Black and white illustrations. Four family trees. Cadenhead was a Scottish landscape and portrait painter. " |n these letters, James gives a vivid and lively account of his life as a young artist training in Edinburgh and Paris in the late nineteenth century. They are full of joie de vivre, with an artist's eye for detail and with some amusing sketches."
Published : Alison Mowat 2013, First Edition
4to. A fine copy in a very good dustwrapper which is complete and untorn. 206 pages. Illustrated throughout mainly in colour. This exhibition catalogue "examines for the first time Munch's extensive oeuvre of painted nd graphic self-portraits, together with his rarely seen drawings and photographic self-portraits."
Published : Royal Academy Of Arts, London 2005, First Edition
Large 4to. A very good copy in a reasonable dustwrapper which is edge-worn, chipped at spine ends and on rear panel and with a few tears. This is number 858 of 1500 copies. Pp.xv, 22, + 103 plates of which 47 are tissue guarded tipped-in colour plates.
Published : The Studio, London 1923, First Edition
4to. A very good copy in a near very good dustwrapper which shows a little wear at spine ends. The wrapper is now protected in a clear, removable, sleeve. No ownership inscription or other internal marking. 160 pages. Numerous illustrations including many in colour.
Published : Victor Gollancz, London 1980, First Edition
4to. A very good copy of this exhibition catalogue in linen covered red wraps decorated in black and lettered in gilt. 216pp. Numerous illustrations in both colour and black and white.
Published : Royal Academy Of Arts, London 1985, First Edition
4to. Dark blue cloth lettered and decorated in gilt. Has the appearance of a very good copy but with a small paper label on the spine and lacking the front end-paper. A little foxing. Pp.xii,108. 55 plates.
Published : Ed. J. Burrow & Co., London 1926, First Edition
A very good copy in a very good dustwrapper which is not price-clipped and which is now protected by a clear, loose, wrapper. No foxing or ownership inscription. 116pp. 45 plates. 4 line illustrations. Deals with the effect on the physical environment of ideas prevailing at different times in history.
Published : Faber & Faber, London 1972, First Edition
Softback. 4to. A very good copy. No ownership inscription or other marking. 132 pages. Numerous colour illustrations. This is the catalogue for an exhibition of Scottish art from the 17th century onwards timed to coincide with the opening of the Scottish Parliament.
Published : City of Edinburgh Museums and Galleries 1999, First Edition
A near vg copy in original green cloth lettered in gilt. Gift inscription on half-title. 526pp +adverts. Contains several essays on art and sculpture together with two essays on India ("Our Indian Empire", 72pp and "India: its Castes and Creeds, 100pp.), an essay on "The National Life of China", 84pp, and various others.
Published : William Blackwood, Edinburgh 1862, First Edition
4to. Hardbacks. A good two volume set in decorated blue cloth which is lettered in gilt on the spine and in white on the upper board. Spines a little dull. Ownership inscription. Partly unopened. Vol.1,pp.xiv,370. 7 plates (including 2 folding), 253 figures. 3 tailpieces. Vol. 11, pp.x,294. 1 folding plate. 141 figures. 10 tailpieces. Translated from the French and edited by I. Gonino.
Published : Chapman and Hall, London 1890,
4to. A very good copy in a price-clipped but otherwise complete dustwrapper with a number of edge tears. 146pp. Many illustrations. An introductory guide to Scottish architecture.
Published : Longman, London 1971, First Edition
4to. A very good copy in a good, complete, dustwrapper which is now protected. The first few pages are a little creased. 146pp. Many illustrations.
Published : Longman, London 1971, First Edition
Hardback. A very good copy in a just about good dustwrapper which has chips in the rear panel and at the top of the spine. Ownership inscription on front fixed end-paper. 453 pages + one page Addenda. Illustrations. Maps.
Published : Penguin Books 1954, First Edition
Hardback. 4to. A very good copy in a very good dustwrapper. Bookplate. 184 pages. 36 colour plates. 100 black and white illustrations. A study of the fascinating early Victorian artist, William Mulready 1786-1863, this book was published to accompany an exhibition of his works.
Published : Victoria and Albert Museum, London 1986, First Edition
Hardback. 4to. A very good copy in a near very good dustwrapper. A clean copy without foxing or ownership inscription. 51 pages of text + 64 plates. "This is the first study to be undertaken in this country of Henry Fuseli's drawings in England."
Published : Faber & Faber, London 1951, First Edition
A good plus copy in dark green cloth lettered in gilt. Two smallish marks on spine. A very good copy internally. No ownership inscription. Pp.xviii,326. Portrait frontispiece. This edition contains two additional papers.
Published : Chapman and Hall, London 1897,
Hardback. 4to. A very good copy in brown cloth lettered in gilt. Top edge gilt. A clean copy without ownership inscription or other internal marking. Pp.xvi,129 + 55 plates at end. 42 figures in text. Frontispiece. The collection bequeathed was mainly bronzes and arms, enamels, glass and majolica, crystal and other cups, jewels, silver plate and carvings.
Published : Trustees of the British Museum, London 1902, First Edition
4to. A good copy in a poor dustwrapper. A little foxing. 160pp. contains 51 plates of plans of different types of buildings in all parts of Europe and America.
Published : Ernest Benn Ltd, London 1931, First Edition
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